Tag Archives: Italy

Locarno 2025 Review: Sorella di Clausura

Ivana Mladenović’s Sorella di Clausura is a darkly comic portrait of obsession, delusion, and the strange collisions between celebrity culture and everyday survival. Featuring a fearless performance from Katia Pascariu as the unforgettable Stela, alongside Cendana Trifan and Miodrag Mladenović, the film builds its own mad energy from the very first moments. A bright red title card declares, “If you thought you were going to watch a film based on true events, you are wrong and possibly paranoid,” setting the tone for a story that oscillates between satire, melodrama, and tragic comedy. Adapted from Liliana Pelici’s autobiographical manuscript, the film reshapes her personal testimony into a wild narrative that keeps viewers laughing, cringing, and thinking in equal measure.

Locarno 2025 Review: “God Will Not Help”

God Will Not Help, the sophomore feature from Croatian director Hana Jušić, is a poetic work on grief, faith, and the universal experiences of women within a patriarchal society. Led by powerful performances from its two stars Manuela Martelli as Teresa and Ana Marija Veselčić as Milena, the film explores how solidarity between the oppressed is able to form even in silence and cultural differences, and how it becomes their only shield against subjugation.

Visions du Réel 2025 Review: “Gen_”

In Gen_, director Gianluca Matarrese creates an intimate and layered portrait of Dr. Bini, an Italian fertility specialist whose clinic becomes a meeting point for a diverse range of patients. Cisgender men with fertility struggles, gay couples pursuing parenthood, trans people receiving hormone treatments, and people questioning their own gender identity all pass through his doors. The film moves through these encounters, observing with sensitivity and without imposing a fixed viewpoint.

Venice 2024 Review: “Aïcha”

“Aïcha” explores life as a working-class woman in contemporary post-revolution Tunisia, a nation grappling with its fractured identity and deep-rooted social inequalities. Directed by Egyptian director Mehdi Barsaoui, the film centers on Aya Dhaoui (played by Fatma Sfar), a 30-year-old woman from a traditional village in southern Tunisia. Her story is of survival and self-reinvention, set against economic despair, patriarchal oppression, and a changing yet consistently oppressive society.

Venice 2023 Review: “Heartless”

“Heartless” is the debut feature from the Brazilian director duo Nara Normande and Tião. Prior to this film, they had made three short films, including the critically acclaimed animated short “Guaxama,” which won awards at many film festivals. “Heartless” premiered at the 2023 Venice Film Festival and is based on the director’s 2014 short of the same name. The film follows a girl from a fishing village, as she prepares to leave for college in the city of Brasilia. During her last few days in the village, she becomes intrigued by a strange girl. While exploring societal constructs, going as far as delving into the origin of toxic masculinity, in addition to a character analysis that shows how such mentalities persist in future generations, the film leaves many other narrative threads underdeveloped, leading to a rather chaotic experience at times.

Venice 2023 Review: “Behind the Mountains”

“Behind the Mountains” by Tunisian director Mohamed Ben Attia shows the filmmaker delving into daringly new territories, as he adds a fantastical element to the social realist style he was previously known for with his acclaimed films “Hedi” and “Dear Son.” This film is an emotional tale about a father-son relationship that interweaves elements of reality and fantasy to dissect the complexities of human relationships and escapism.

Locarno 2023 Review: “Essential Truths of the Lake”

Essential Truths of the Lake, the latest work from acclaimed Philippine director Lav Diaz, arrives at the Locarno Film Festival as a fascinating prequel to last year’s When the Waves Are Gone. It is a film of contradiction, complexity, and deep resonance, weaving political commentary, existential pondering, and a grounded police procedural into a textured and innovative work.