Set against the serene backdrop of the Colombian jungle, I Saw Three Black Lights unfolds as an evocative exploration into the realms of heritage, mortality, and the profound connection to ancestral lands and culture. Directed by Santiago Lozano Álvarez, this film transcends the boundaries of conventional storytelling, creating a mesmerizing audiovisual experience that honors Afro-Colombian culture and confronts the ominous threats of external violence.
Tag Archives: France
Leiden 2023 Review: “The Old Oak”
The Leiden International Film Festival (LIFF), spanning from October 26 to November 5 this year, presents a rich array of cinema, stretching from the thought-provoking arthouse to the more accessible mainstream, offering a feast for all film lovers. Since its first edition in 2006, it has blossomed into one of the Netherlands’ most-anticipated film gatherings. This review of Ken Loach’s ‘The Old Oak’ kicks off a series of reviews spotlighting some of the films showcased at LIFF.
San Sebastián 2023 Review: “A Silence”
In “A Silence”, Belgian writer-director Joachim Lafosse exposes the unsettling truth about abuse that often goes unnoticed in the shadows of societal achievements. The film unearths the disturbing realities that can exist within successful, bourgeois households by peeling back the layers of prosperity and success. Through its nuanced storytelling, Lafosse’s tenth feature film sheds light on cycles of abuse, the line between loyalty and complicity, and the insidiousness of silence, pulling back the curtain on the darker aspects of domestic life.
TIFF 2023 Review: “Bye Bye Tiberias”
Lina Soualem’s documentary “Bye Bye Tiberias” offers an emotionally charged and complex portrait of her family’s relationship with their Palestinian roots. Using archival footage, family interviews, reenactments, and personal reflection, the film examines the lasting emotional impact of displacement and the occupation on the Palestinian diaspora.
TIFF 2023 Review: “Banel & Adama”
From the talented Senegalese director Ramate-Toulaye Sy, known for her 2021 Oscar-qualifying short ‘Astel’ and her remarkable screenplay for the 2019 Rwandan film ‘Our Lady of the Nile,’ comes her debut feature, “Banel & Adama.” Having made its debut in the prestigious competition at the 2023 Cannes Film Festival, the film manages to exceed all expectations and establishes Sy as a masterful storyteller. “Banel & Adama” is a searing romantic drama set in a remote Senegalese village, distinguished by its intimate characters and an intricate narrative that deftly tackles issues of tradition, gender, and disruptive climate change.
TIFF 2023 Review: “Not a Word”
“Not a Word,” The latest film from Slovenian-German director Hanna Slak, presents a psychologically profound examination of the troubled dynamic between a mother and her quiet son. Set between Germany and France’s wintery, frigid landscapes, the drama delves into the effects of passion and emotional neglect on its central characters. The story captures how the mother’s professional ambitions lead to a growing distance between parent and child, ultimately impacting the son’s emotional growth. With its jarring narrative, “Not a Word” delivers a stunning commentary on passion, communication, and parenting. It’s a compelling look at a woman torn between her passion and the real-world emotional needs of her child that she’s failing to meet.
TIFF 2023 Review: “The Monk and the Gun”
In his second feature film, “The Monk and the Gun,” Bhutanese filmmaker Pawo Choyning Dorji presents a multifaceted story of various characters, each with a unique perspective on the influence of globalization on Bhutan and the country´s transition to democracy in 2006. Against the stunning mountainous landscapes, this culturally rich film offers a brilliantly written critique of a society caught between the perseverance of their culture, Westernization and enforced modernity.
Venice 2023 Review: “Heartless”
“Heartless” is the debut feature from the Brazilian director duo Nara Normande and Tião. Prior to this film, they had made three short films, including the critically acclaimed animated short “Guaxama,” which won awards at many film festivals. “Heartless” premiered at the 2023 Venice Film Festival and is based on the director’s 2014 short of the same name. The film follows a girl from a fishing village, as she prepares to leave for college in the city of Brasilia. During her last few days in the village, she becomes intrigued by a strange girl. While exploring societal constructs, going as far as delving into the origin of toxic masculinity, in addition to a character analysis that shows how such mentalities persist in future generations, the film leaves many other narrative threads underdeveloped, leading to a rather chaotic experience at times.
Venice 2023 Review: “Behind the Mountains”
“Behind the Mountains” by Tunisian director Mohamed Ben Attia shows the filmmaker delving into daringly new territories, as he adds a fantastical element to the social realist style he was previously known for with his acclaimed films “Hedi” and “Dear Son.” This film is an emotional tale about a father-son relationship that interweaves elements of reality and fantasy to dissect the complexities of human relationships and escapism.
Venice 2023 Review: “God is a Woman”
Andrés Peyrot’s “God is a Woman” is an impactful documentary that serves to empower a community, but also teaches an essential lesson about ethical filmmaking. Premiering as the opening film of the Critic’s Week of the Venice Film Festival, this Swiss-Panamanian creation avoids the traditional ‘outsider-looking-in’ approach, instead providing the Indigenous Kuna people of Panama with agency to shape their own narrative.
