TIFF 2024 Review: “Horizonte”

César Augusto Acevedo, the acclaimed director behind “Land and Shade” (winner of the Caméra d’Or at Cannes in 2015), returns with his long-awaited follow-up, “Horizonte,” a haunting and poetic exploration of loss, memory, and redemption. The film tells the story of two ghosts -a mother, Inés, and her son, Basilio- as they wander through a war-torn world in search of the man’s missing father. Their spiritual journey, traversing the desolate, misty landscapes of a city torn apart by conflict, uncovers the wounds left by war.

TIFF 2024 Review: “Beloved Tropic”

Ana Endara’s debut fiction feature, “Beloved Tropic”, presents a relationship between two women whose lives intersect through a shared dependency in contemporary Panama City. The film centers on Ana María (Jenny Navarrete), a Colombian immigrant and experienced caregiver who harbors a secret, and Mercedes (Paulina García), a wealthy, sharp-tongued high-class woman struggling with the early stages of dementia. What begins as a rather straightforward arrangement quickly transforms into an exploration of autonomy, motherhood, and family.

Berlinale 2024 Review: “I Saw Three Black Lights”

Set against the serene backdrop of the Colombian jungle, I Saw Three Black Lights unfolds as an evocative exploration into the realms of heritage, mortality, and the profound connection to ancestral lands and culture. Directed by Santiago Lozano Álvarez, this film transcends the boundaries of conventional storytelling, creating a mesmerizing audiovisual experience that honors Afro-Colombian culture and confronts the ominous threats of external violence.