Mexican director Natalia López Gallardo presents an interesting, yet slightly unfocused narrative about women, cartels and privilege in her directorial debut..
Category Archives: Geen categorie
Rotterdam 2022 ‘EAMI’ Review: A Loss of One’s Own
IFFR Paraguayan Tiger Award winner EAMI is a sensorial tribute to the Ayoreo life.
Rotterdam 2022 ‘Shabu’ Review: Navigating Masculinity
Shabu paints a period of time in the life of a boy who’s faced with masculinity in the process of growing up.
Rotterdam 2022 ‘Along the Way’ Review: A New Point of View
Mijke de Jong’s Along the Way offers new perspectives on our world, through the eyes of female refugees.
Rotterdam 2022 ‘Please Baby Please’ Review: A Breath of Fresh Camp
Amanda Kramer opens this year’s International Film Festival Rotterdam with a bang.
Calgary International Film Festival ‘Seuls’ Review: The journey of Lone Refugees
Director Paul Tom crafts an emotionally affecting portrait of the journeys of child refugees in Canada.
Vancouver International Film Festival ‘The Scary of Sixty-First’ Review: Transgressive Campy Horror Satire
Director Dasha Nekrasova creates a queer, campy and bonkers satire about conspiracy theorists.
Venice 2021 ‘Al Garib’ Review: An Ode to the Occupied
In one of the greatest must-watches of the year, Syrian director Ameer Fakher Eldin creates a visual masterpiece that pays homage to his motherland and its inhabitants.
Venice 2021: Once Upon a Time in Calcutta’ Review: To Rebuild or Preserve?
With his third film, Indian director Aditya Vikram Sengupta creates an interesting portrait of life in post-communist Kolkata.
Venice 2021 ‘Erasing Frank’ Review: A Riot Against Censorship
Erasing Frank is a well-crafted look at totalitarian censorship behind the iron curtain.
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