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Category Archives: Geen categorie

Rotterdam 2022 ‘Along the Way’ Review: A New Point of View

Mijke de Jong’s Along the Way offers new perspectives on our world, through the eyes of female refugees.

Posted byJulian Janssen7 February 20228 February 2022Posted inGeen categorieTags:Directed by women, netherlands, Rotterdam 2022Leave a comment on Rotterdam 2022 ‘Along the Way’ Review: A New Point of View

Rotterdam 2022 ‘Please Baby Please’ Review: A Breath of Fresh Camp

Amanda Kramer opens this year’s International Film Festival Rotterdam with a bang.

Posted byJulian Janssen31 January 20227 February 2022Posted inGeen categorieTags:Directed by women, Rotterdam 2022, USA

Calgary International Film Festival ‘Seuls’ Review: The journey of Lone Refugees

Director Paul Tom crafts an emotionally affecting portrait of the journeys of child refugees in Canada.

Posted byJulian Janssen4 October 20214 October 2021Posted inGeen categorieTags:Calgary 2021, Canada, Queer

Vancouver International Film Festival ‘The Scary of Sixty-First’ Review: Transgressive Campy Horror Satire

Director Dasha Nekrasova creates a queer, campy and bonkers satire about conspiracy theorists.

Posted byJulian Janssen3 October 20214 October 2021Posted inGeen categorieTags:Directed by women, Queer, USA, VIFF

Venice 2021 ‘Al Garib’ Review: An Ode to the Occupied

In one of the greatest must-watches of the year, Syrian director Ameer Fakher Eldin creates a visual masterpiece that pays homage to his motherland and its inhabitants.

Posted byJulian Janssen9 September 20219 September 2021Posted inGeen categorieTags:Germany, Palestine, Qatar, Syria, Venice 2021Leave a comment on Venice 2021 ‘Al Garib’ Review: An Ode to the Occupied

Venice 2021: Once Upon a Time in Calcutta’ Review: To Rebuild or Preserve?

With his third film, Indian director Aditya Vikram Sengupta creates an interesting portrait of life in post-communist Kolkata.

Posted byJulian Janssen7 September 20214 October 2021Posted inGeen categorieTags:France, India, Norway, Venice 2021Leave a comment on Venice 2021: Once Upon a Time in Calcutta’ Review: To Rebuild or Preserve?

Venice 2021 ‘Erasing Frank’ Review: A Riot Against Censorship

Erasing Frank is a well-crafted look at totalitarian censorship behind the iron curtain.

Posted byJulian Janssen7 September 20217 September 2021Posted inGeen categorieTags:Hungary, Venice 2021Leave a comment on Venice 2021 ‘Erasing Frank’ Review: A Riot Against Censorship

Venice 2021 ‘Miracol’ Review: Naturalistic Genre-defying Cinema

With Miracol, Romanian director Bogdan George Apetri breathes new life into the Romanian New Wave.

Posted byJulian Janssen6 September 20217 September 2021Posted inGeen categorieTags:Czech Republic, Latvia, Romania, Venice 2021Leave a comment on Venice 2021 ‘Miracol’ Review: Naturalistic Genre-defying Cinema

Venice 2021 ‘107 Mothers’ Review: A Jarring Piece of Docufiction

 Punkchart Films Slovakian director Péter Kerekes provides a humanistic glimpse into the lives of imprisoned mothers in a Ukrainian correctional facility.

Posted byJulian Janssen3 September 20214 September 2021Posted inGeen categorieTags:Czech Republic, Slovak Republic, Ukraine, Venice 2021Leave a comment on Venice 2021 ‘107 Mothers’ Review: A Jarring Piece of Docufiction

Locarno 2021 ‘Zeros and Ones’ Review: Reflective Pandemic Thriller

Abel Ferrara delivers a relevant COVID-era thriller, with Ethan Hawke showing impressive versatility in a contrasting dual role.

Posted byJulian Janssen13 August 202113 August 2021Posted inGeen categorieTags:Germany, Locarno 2021, UK, USALeave a comment on Locarno 2021 ‘Zeros and Ones’ Review: Reflective Pandemic Thriller

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